Denisa Carroll
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Electioneering

24/4/2015

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As we are currently knee-deep in election fever here in the UK, I thought it might be interesting to have a look at political rhetoric, another fascinating example of the power of language.  Skill in this area can make a tremendous difference to a politician's success or failure at the ballot box.   Barack Obama's electoral victories are widely credited to his ability to connect with the American people through his excellent public speaking skills.

One of the most common techniques that is employed by any persuasive speaker, and particularly by politicians, is repetition, or 'anaphora' as it is usually known. It usually involves repeating a phrase at the start of consecutive statements.    A particularly famous example is Martin Luther King's 'I have a dream' speech given during the March on Washington in 1963.  Such repetition assists the speaker in making an idea particularly memorable. 

Another very common method that orators use to make their speeches effective is to make use of the Rule of Three.  This is based on the idea that people have difficulty remembering a long laundry list of ideas or benefits, but generally seem to recall three things.  Hence, we hear things such as 'Winston Churchill's 'This is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.'  And even more obviously: 'Education, education, education' from Tony Blair. 

And yet another technique that orators often employ is hyperbole:  intentional exaggeration used to emphasise a point. It is actually quite hard to find a political speech that is not awash with hyperbole, particularly during election campaigns.  During this last week we have had Tories claiming that Labour economic policies would be 'a disaster' and 'cause chaos' in the country.  In the same way, Labour politicians warn that a Tory win would lead to the 'end of the NHS.'

Even if you're finding the interminable round of political speeches, that are popping up like mushrooms all over the television news, to be tedious and unmemorable in themselves, it still proves interesting to watch them, just to see if you can spot these kinds of features.


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Making judgements

17/4/2015

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I've been thinking recently about the kinds of judgements that we make upon each other based upon the way we speak the English language.  Eliza Doolittle and Professor Higgins will immediately spring to mind!

Whether you have an accent as clipped as the Queen, or have a broad Yorkshire brogue, someone, somewhere, will make some sort of judgement about you, either positive or negative.  We make all sorts of assumptions based upon the way that someone pronounces a given word, although those assumptions do seem to be changing over time.

Back before the Second World War, a regional accent was largely regarded as improper, and the BBC would never have considered using a broadcaster who could not converse in pure received pronunciation.  Those who decided to take up acting were often taught how to speak 'properly' at drama school, regardless of their regional origins.  These days, those attitudes are changing, thank goodness, and the airwaves are awash with the rich diversity of the regional accents of these Isles, as well as the accents of those who have come to live here from overseas.  

But we may be in danger of losing our dialects. In the South of England, spreading through Kent, Surrey, Essex and Susses, much as been made of the emergence of 'Estuary English', an accent which seems to be spreading fast, taking  much from working-class London speech, or Cockney. 

Change is inevitable in all things, particular in languages, which are living instruments, formed and re-formed by those that use them.  But what a shame it would be if the nation's dialects were eventually all homogenised into one, and we lost the musicality and rhythm of those dialects which create such uniquely interesting diversity. 
  




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Words, words and more words

10/4/2015

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Don't you just love words?  Particularly those in the English language.  

I think the most striking thing about writing using the English language is the element of nuance that is available to the writer, where each synonym of a word offers a finely graded distinction of meaning .  To cite one example, of very many,  if we are looking for an adjective that describes the feelings of a father, we can opt for either 'fatherly' or 'paternal'.  But these two apparent synonyms do not communicate precisely the same meaning.  'Fatherly' is more protective and affectionate, whereas 'paternal' communicates more of a sense of an official standing as parent.  

This richness in the English language owes itself to the massive influence of other languages throughout the centuries.  Anglo-Saxon, Old Norse, Norman French and Latin influences have all combined to shape the vocabulary that is available to us all.   In the example above, the word 'fatherly' comes from the Germanic word for father,  'vater', whereas 'paternal' is rooted in the Latin 'pater'and reflects Roman society where the role of a father was more based on stern duty than affection.

The English language is such an extraordinary tool that it is not surprising that these islands have produced so many exceptional writers.  Perhaps not many of us will rise to their hallowed ranks, but how marvellous it is for anyone with any interest in writing to have such a well of  meaning and nuance available!   

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    Random musings on language and writing

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    about 
    Denisa Carroll

    Now that the family are all that little bit older, I'm fulfilling a life long dream to write the kind of novels that I enjoy reading.  I also like to write the occasional blog on various topics, and particularly on the English Language -  one of my very favourite subjects.  

    ​Join in with your comments if you would like to!

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    'There is nothing 
    to writing.
      All you do is sit 
    down 
    at a typewriter 
    and bleed.'

    - Ernest Hemingay
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